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| Transparent Grey with Black Spiral Wrap Set
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| 2010
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| hand blown glass |
| 5.5 x 18.5 in. |
| $12000 |
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| Amber Interior Fold Platter
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| 2005
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| hand blown glass |
| 3.75 x 14.75 x 14.75 in. |
| $3500 |
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| Selenium Red
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| 2011
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| hand blown glass |
| 6 x 23 x 23 in. |
| $8000 |
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| Aquamarine Interior Fold Platter
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| 2002
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| hand blown glass |
| 5 x 21.75 x 21.75 in. |
| $8000 |
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| Selenium Red with Black Spiral Wrap Set
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| 2010
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| hand blown glass |
| 5.5 x 22 in. |
| $12000 |
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| Red & Black Palla Bowl
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| 2011
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| glass |
| 4.5 x 17.5 x 17.5 in. |
| $8000 |
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| Lapis Palla Set
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| 2008
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| hand blown glass |
| 4.25 x 16.25 x 16.25 in. |
| $12000 |
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| Black Palla Set
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| 2008
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| hand blown glass |
| 4.25 x 16.25 x 16.25 in. |
| $12000 |
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| White Interior Fold Platter
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| 2007
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| glass |
| 6.5 x 27.5 x 27.5 in. |
| $10000 |
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| Black & Chartreuse Palla Set
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| 2006
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| hand blown glass |
| 3.75 x 18 x 18 in. |
| $12000 |
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Benjamin Moore
Benjamin Moore is a pioneer in American glassblowing. He was introduced to glass at the California College of Arts and Crafts while studying under Marvin Lipofsky. In 1974 he became Dale Chihuly’s first assistant and from 1974-1987 was Pilchuck Glass School’s creative and educational director. Moore went on to pursue his MFA at the Rhode Island School of Design. Unsatisfied with the American style of glass training where students follow the instructor’s example, Moore moved to Venice, Italy. He began his apprenticeship at the Venini with Checco Ongaro working as a glassworker and was soon asked to contribute his own designs. In 1980 he brought the Italian master Lino Tagliapeitra to Pilchuck. Influenced by Venetian traditions in glass, he relies on simple, clean shapes in pure color and very little surface decoration. Benjamin Moore was a key player in establishing Seattle as a center for contemporary glass. His work is part of public and private collections in Italy, Bavaria, Denmark, Sweden, and the US. He has shown with Foster/White since 1998.
Map to Benjamin Moore's public works
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